‘Azhutham' in Bharatanatyam, which at best translates as firm execution in English, was the base for Sumitra Subramaniam's presentation for Vipanchee. Sumitra's forte is her dedication to nritta and this was expressed most clearly in the ‘Mohamaana' varnam (Bhairavi). Major attractions here were the correct resolution of rhythm and emotion in the alternating sequences of jatis and song. What made a difference was the upbeat interpretation which was in good taste. The nayika's psychological state was aptly conveyed without crude or suggestive gestures. At the same time, Maaran (Cupid) and his many arrows were given due emphasis. The arudhis in the second half which depicted Cupid showering his arrows were gracefully depicted with little leaps and bounds which underlined the dancer's agility.

The calm technique of nattuvangam by mother and teacher Jayanthi teamed well with the melodious voice of Radha Badri.